"An Autograph Chronicle of Renaissance Italy" - By Archie

2024-03-26 04:59:00 | Contributor(s): C. H. Clough | https://doi.org/10.80230/NNF4-T713

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2024-03-22 17:03:46 | Contributor(s): Graham Jensen

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Open, Collaborative Commons: Web3, Blockchain, and Next Steps for the Canadian Humanities and Social Sciences Commons

2024-03-12 02:57:52 | Contributor(s): Michael Finlayson, Talya Jesperson, Graham Jensen, Graham Jensen, Caroline Winter, Alyssa Arbuckle, Ray Siemens | https://doi.org/10.80230/H5M7-HV89

This paper provides an update on the Canadian Humanities and Social Sciences (HSS) Commons, an in-development online hub for open social scholarship in Canada and beyond, and considers the next steps for the platform in an ever-evolving digital landscape. It outlines various recent...

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2024-03-07 19:45:55 | Contributor(s): Graham Jensen | https://doi.org/10.80230/HPM0-6E72

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DigitalDonne: the Online Variorum

2024-03-07 17:40:09 | Contributor(s): Graham Jensen

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2024-03-07 17:29:27 | Contributor(s): Graham Jensen, Graham Jensen | https://doi.org/10.80230/043P-F713

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'Tales Worked in Blood and Bone': Words and Images as Scalpel and Suture in Graphic Narratives

2024-02-05 20:59:16 | Contributor(s): Jon Saklofske

There is a lingering irony in the proliferation of academic interest in and acceptance of graphic narratives as “serious” story spaces since Art Spiegelman refigured the Holocaust as an illustrated beast fable. The translation of historical trauma into a storyboard and people into personified...

"More minds are brought to bear on a problem": Methods of Interaction and Collaboration within Digital Humanities research

2024-01-31 18:59:17 | Contributor(s): Claire Warwick, Lynne Siemens, Richard Cunningham, Wendy Duff

Digital project teams are by definition comprised of people with various skills, disciplines, and content knowledge. Collaboration within these teams is undertaken by librarians, academics, undergraduate and graduate students, research assistants, computer programmers and developers, content...

A fly in the ointment: Exploring the creative relationship between William Blake and Thomas Gray

2024-01-26 19:48:35 | Contributor(s): Jon Saklofske | https://doi.org/10.80230/3KKB-PT29

Between 1797 and 1799, William Blake added illustrations and poetic commentary to the poetry of Thomas Gray and presented the composite collaboration to the wife of his friend and supporter, John Flaxman. Although he was largely dependent on such friends for his commissioned work during this...

"Indoeuropei o no", speech at"MYTHOSLOGOS" Lerici July 2017

2024-01-26 17:21:42 | Contributor(s): Paolo Bertini | https://doi.org/10.80230/MDEK-ZB85

Italian title: "Indoeuropei o no", speech at"MYTHOSLOGOS" Lerici July 2017 English title: Text of "Indoeuropei o no", speech at"MYTHOSLOGOS" Lerici July 2017

Annual Meeting of the Renaissance Society of America

2023-07-13 18:28:46 | Contributor(s): Victor Graham | https://doi.org/10.80230/3S14-JZ64

New plans for Renaissance and Reformation

2023-07-13 17:04:17 | Contributor(s): Natalie Zemon Davis, James K. McConica | https://doi.org/10.80230/MTA6-F691

‘An Autograph Chronicle of Renaissance’

2023-07-04 22:13:04 | Contributor(s): C. H. Clough | https://doi.org/10.80230/GVSH-7Q85

Some Italian Materials at the Pontifical Institute

2023-06-23 16:35:44 | Contributor(s): Paul Grendler | https://doi.org/10.80230/KMWN-TP56

Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not...

Some Italian Materials at the Pontifical Institute

2023-06-23 16:31:32 | Contributor(s): Paul Grendler | https://doi.org/10.80230/QEVS-GA94

Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not...

Center of Reformation and Renaissance Studies at Victoria University

2023-06-23 16:28:02 | Contributor(s): F. D. Hoeniger | https://doi.org/10.80230/BCVH-9504

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Center of Reformation and Renaissance Studies at Victoria University

2023-06-20 23:35:00 | Contributor(s): F. D. Hoeniger | https://doi.org/10.80230/449M-M905

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Some Italian Materials at the Pontifical Institute

2023-06-20 23:31:29 | Contributor(s): Paul Grendler | https://doi.org/10.80230/37H9-2810

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"Enough! or too much": the functions of media interaction in William Blake's composite designs

2023-06-20 21:29:57 | Contributor(s): Jon Saklofske | https://doi.org/10.80230/WXKW-AY34

Visual art and written text have been described as historical sisters, linguistic twins and warlike enemies. These attempts to exclusively define the capabilities of each medium are inherently limited, contradictory and inaccurate. A better understanding of their individual capability and...

Hearing Ophelia: Gender and Tragic Discourse in Hamlet

2023-03-28 22:14:17 | Contributor(s): Sandra K. Fischer

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